A 2 Day intensive Masterclass. A real live artist on stage. A full RED Digital Cinema package in your hands. By the end of the masterclass, you've shot, lit, cut and graded a cinematic music video.
Over two days, you'll learn to shoot, light, edit and colour a real cinematic music video — with a live artist performing and a full RED Digital Cinema package in your hands. Award-winning directors and producers guide you from the set to the colour suite in DaVinci Resolve on EIZO monitors: the same workflow behind multi-million-view music videos. Four cities across Australia, just 25 seats per city. Every city's music video is released by the artist after the tour, and you're in the credits.
How a video gets locked before the camera opens.
The plot built in front of you, artist on stage.
Full RED builds in your hands, not on a shelf.
Cut to the track. Graded to ship.
This isn't a demo with borrowed kit. Our partners put working cinema cameras and reference-grade monitors in every room — the same tools you'd spec on a paying job.
Full RED packages in every city — Komodo X and V-Raptor bodies with complete builds. On the floor for the camera masterclass with RED APAC.
EIZO ColorEdge reference monitors on the grade — hardware-calibrated and colour-accurate, so the look you build in Resolve is the look that ships.
RED V-Raptor · Komodo-X — on the floor in every city Broadcast partner: CreativeLive (Sydney livestream). Interested in sponsoring a city? See the partnership deck →
Each city runs the same two-day shape: full workshop day with a live artist, ending with the Backstage to Broadcast premiere. Day Two is an optional post-production deep-dive in DaVinci Resolve at a separate venue.
Doors at 9am. Treatment and pre-pro first, then lighting and camera. Three shoot blocks with the artist, then post. It ends with the documentary premiere in the same room.
Every workshop ticket includes a free seat at the Backstage to Broadcast premiere that night — no separate ticket, it's part of the day.
Venues revealed July 13. Just 25 seats per city. Workshop students get the documentary premiere free. Prices in AUD, GST inclusive.
Already shooting on Sony or Canon? Making the jump to cinema cameras, RED workflow and music-video pacing? This is built for you. Hobbyists welcome — the day moves at working-pro speed.
You're shooting now. You want to step up the kit, the look, and the way you run a set. You want to leave with a workflow you can use Monday morning.
Production teams making the jump from broadcast-style to cinematic. Bring the camera team and the lighting lead.
Final-year and recent-grad cinematographers building first kits, first reels, first paying clients. Direct time with working directors.
Producer and director. RED Komodo X shooter. Recent: Simple Plan, Morgan Evans at the Sydney Opera House, Planetshakers' Backstage to Broadcast.
Director and cinematographer. Produced The Paper Kites' 'Bloom' — ARIA Award, platinum in seven countries. Founder of Clique Group Creative.
Tickets are on sale now — book your city above. Venues are revealed July 13; we'll email the address and full run sheet then. 25 seats per city, first-come.
No. The whole point is putting working RED bodies in the hands of people who've never run one. Komodo X and V-Raptor packages are on the floor — you'll get hands-on time regardless of what you shoot on day-to-day.
A laptop with DaVinci Resolve installed (free version is fine), a fast SSD if you want to walk out with the footage, and a notebook. Cameras, lights, audio and grip are all supplied in the room.
Yes. The post-production masterclass on Sunday is sold separately for people who only want the edit and colour deep-dive. Day One alone is also fine if you can't make Sunday.
Yes — each city's music video gets released by the artist after the tour. You'll get credited as part of the crew on the videos shot in your city.
No. The Sydney livestream gets you the talking-head, panel and shoot-block content via CreativeLive. It does not get you hands on a RED, time in the colour seat, or the room with the artist. If you can be in a city, be in a city.
Full refund up to 10 days before your city's date. Inside 10 days, tickets are transferable to a mate but not refundable. We try to be human about genuine emergencies — email us.
25 seats per city — they move fast. Book up top to lock your seat. Then drop your email and we'll send the venue, address and full run sheet on July 13.
Book your seat
